Biggie’s steady voice expresses no concern over the potential physical pain involved in suicide, and crucially, no vulnerability whatsoever, with very little worry of the emotional impact on those who love him. No one will miss me because “I’m a piece of shit, it ain’t hard to fuckin’ tell,” and I’m proud of it. The main thrust of “Suicidal Thoughts” is I’m such a hard, bad-ass motherfucker that I remain indifferent in the face of death. However, it is presented with the boom-bap swagger one might expect from, say, someone showing off his expensive new car. There is serious emotional pain treading below the surface of his lyrics. In “Suicidal Thoughts,” Biggie specifically details how he wants to end his life-“I swear to God I want to just slit my wrists and end this bullshit / Throw the Magnum to my head, threaten to pull shit”-and wonders if his mother will even miss him if he were to do so. Biggie has “Suicidal Thoughts”, and Kendrick has “u”. Maybe unsurprisingly, given the universality of the consideration, both of these top-flight MCs have a song in which they contemplate suicide. At the very least, he was certainly sicker than average. His combination of wordplay, flow, narrative complexity, bravado and humor was unparalleled among his peers, and has (arguably) never been matched. At the seminal 1995 Source Awards, Big took home more awards than any other artist, winning New Artist of the Year, Album of the Year, Lyricist of the Year, and Live Performer of the Year over Tupac, Nas, Outkast, and other GOAT nominees. is at least as strong as the argument for any of the other top contenders (Nas and Tupac, for two). A Rolling Stone review gushes, “Lamar straight up owns rap relevancy on Butterfly, whatever challengers to the throne barely visible in his dusty rear-view.” Good Kid, m.A.A.d City, his last album, received similarly near– universal acclaim.īack during hip-hop’s second Golden Age, the title of the most critically favored MC was slightly more disputed, but the argument for Notorious B.I.G.
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His most recent album, To Pimp a Butterfly, has a 96 rating on Metacritic, including a perfect score from The Needle Drop and a Best New Music designation from Pitchfork. If there is anything that nears consensus in our splintered and specialized digital entertainment media landscape, it is that most music critics love Kendrick Lamar.